Material Art Fair
8 February – 11 February 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Supportico Lopez, installation view at Material Art Fair Mexico City, 2018
Daniele Milvio, La moglie di Pilato, 2017
Watercolour on paper, artist frame: clay, beeswax, stearin, epoxy and steel on synthetic clay, 35 × 24 × 9 cm
Watercolour on paper, artist frame: clay, beeswax, stearin, epoxy and steel on synthetic clay, 35 × 24 × 9 cm
Daniele Milvio, Spie, 2017
Watercolor on paper, artist's frame: clay, beeswax, stearin, epoxy and steel on synthetic clay, 33 × 25 × 8 cm
Watercolor on paper, artist's frame: clay, beeswax, stearin, epoxy and steel on synthetic clay, 33 × 25 × 8 cm
Daniele Milvio
Delegazione di Sutrini davanti alla Voragine, 2018
Watercolor on paper, artist's frame: clay, beeswax, stearin, epoxy and steel on synthetic clay
33 × 25 × 8 cm
Delegazione di Sutrini davanti alla Voragine, 2018
Watercolor on paper, artist's frame: clay, beeswax, stearin, epoxy and steel on synthetic clay
33 × 25 × 8 cm
Daniele Milvio
Conseguenze politiche dello sbratto di Vetralla, 2018
Watercolour on paper, artist frame: clay, beeswax, stearin, epoxy and steel on synthetic clay
33 × 25 × 8 cm
Conseguenze politiche dello sbratto di Vetralla, 2018
Watercolour on paper, artist frame: clay, beeswax, stearin, epoxy and steel on synthetic clay
33 × 25 × 8 cm
James Hoff, Social Engineering, 2018
Dye Sublimation on Aluminium, 12 × 8 inches
Dye Sublimation on Aluminium, 12 × 8 inches
James Hoff, Ghosting, 2018
Dye Sublimation on Aluminium, 17 × 11 inches
Dye Sublimation on Aluminium, 17 × 11 inches
James Hoff
The Death of Distance, 2018
Dye Sublimation on Aluminium, 24 × 18 inches
The Death of Distance, 2018
Dye Sublimation on Aluminium, 24 × 18 inches
James Hoff, Network Fever, 2018
Dye Sublimation on Aluminium, 17 × 11 inches
Dye Sublimation on Aluminium, 17 × 11 inches
James Hoff, Swedish Disaster, 2017
Dye Sublimation on Aluminium, 24 × 18 inches
Dye Sublimation on Aluminium, 24 × 18 inches
Giulio Delvè, Purple Brain, 2017,
Plaster, mop, wood stick, 70 × 40 × 25 cm
Plaster, mop, wood stick, 70 × 40 × 25 cm
Giulio Delvè, Fauxhawk, 2017
Plaster broom, 50 × 40 × 20 cm
Plaster broom, 50 × 40 × 20 cm
Michael Dean
Untitled, 2015
Ink on Paper, 7.5 × 23 × 18 cm
Untitled, 2015
Ink on Paper, 7.5 × 23 × 18 cm
Michael Dean, LB (Working Title), 2014
Concrete on unprimed linen, 170 × 150 cm
Concrete on unprimed linen, 170 × 150 cm
Michael Dean, this (Working Title), 2014
Concrete on unprimed linen, 150 × 170 cm
Concrete on unprimed linen, 150 × 170 cm
Charlie Billingham, Tournament, 2018
Oil on Linen, 100 × 80 cm
Oil on Linen, 100 × 80 cm
Charlie Billingham, Saved By The Bell,
2018
Oil on Linen, 100 × 80 cm
2018
Oil on Linen, 100 × 80 cm
Charlie Billingham
Duplex, 2018
Oil on Linen
180 × 150 cm
Duplex, 2018
Oil on Linen
180 × 150 cm