Bio
Born in Kirchheim unter Teck, DE
Lives and works in Berlin, DE
Education
1994 - 98
Sculpture, KHB, Berlin, DE
2000-03
MFA-Program, Hunter College, NYC
2002-03
Film Theory, The Graduate Center, NYC
Solo Exhibitions
2017
The Dig, Archive Kabinett, Berlin
2015
Das Als-ob-Prinzip, Kunsthaus Bregenz, KUB Arena, AU
Tilikum, Supportico Lopez, Berlin, DE
2014
Monarchs, Men & Monsters, LABOR, Mexico City, MX
2013
ABC Berlin with Supportico Lopez, Berlin, DE
Bergen Assembly Triennial 2013, Bergen, NO
2012
Nomas Foundation, Rome, IT
The Invisible Hand, Kunstverein Arnsberg, DE
The Fable of the Bees, Supportico Lopez, Berlin, DE
2010
The Anarchist Banker, Supportico Lopez, Berlin, DE
2007
The End of Love, Centre for Opinions in Music and Art, Berlin, DE
2006
Galerie Meerrettich – Pavillon an der Volksbühne, Berlin, DE
2004
Elizabeth Dee Gallery, New York, USA
Group Exhibitions and Film Programs
2018
Forum Expanded Program #4 at Berlinale International Film Festival, Akademie der Künste, Hanseatenweg, DE
2017
Jour Fixe, 'The Pit', Academy of Fine Arts Munich, Munich, DE
Tito's Bunker, Württembergischen Kunstverein, Stuttgart, DE
Altered States of Consciousness, Tabakalera International Centre for Contemporary Culture, San Sebastián, SP
Tito's Bunker, 4th Biennial D-0 ARK Underground, Konjic, BIH
Jan Peter Hammer, Treasure Hunters, Film Program, mumok, Vienna, AT
Past is Not Post, Edith-Russ-Haus für Medienkunst, Oldenburg, DE
2016
Straub/Huillet/Weiss. Fremdheit gegenüber unserer engen, vertrauten Welt, Temporary Gallery, Köln, DE
The Nomadic Show, IX Shirajevo Biennale of Contemporary Art, Shiryaevo Village, RU
The elegance of an empty room, Film Program, Kunstverein in Hamburg, Hamburg, DE
12x12, IBB Videoraum, Berlinische Galerie, Berlin, DE
2015
14th Istanbul Biennial – SALTWATER. A Theory of Thought Forms, Cinema Program, Istanbul Modern, Istanbul TR
Toys Redux – On Play and Critique, Migros Museum, Zürich, CH
The Beast and the Sovereign, MACBA, Barcelona, ES // WKV Württembergischer Kunstverein, Stuttgart, DE
Life’s Finest Values’, Kunsthalle Exnergasse, Wien, AU
Toys Redux, Migros Museum für Gegenwartskunst, Zürich, SW
2014
Speculation And Economy: Life In Finance Capitalism, Goethe-Institut Montréal, CA
It’s the Political Economy, Stupid, Galerija Nova Zagreb, CR
Film Forum Udine / Gorizia, IT
2013
4th Athens Biennale, Athens, GR
An Opal World: Biscotti, Fernandes, Hammer and De Michele, Kunstraum, London, UK
Liquid Assets,Steirischer Herbst, Graz, AU
Liaisons dangereuses,3-day conference as part of Liquid Assets at Steirischer Herbst, Graz, AU
It’s The Political Economy, Stupid, Center for Cultural Decontamination, Belgrade, RS
To have and have not,ACC Galerie Weimar, Weimar, DE
To have and have not,Halle 14, Leipzig, DE
Without Reality there is no Utopia, YBCA, Yerba Buena Center for the Arts, San Francisco, US
It’s The Political Economy, Stupid, Pori Art Museum, Pori, FI
Selected Artists, Berliner Senat Work Scholarship-Exhibition, NGBK, Neue Gesellschaft für Bildende Kunst e.V., Berlin, DE
2012
Newtopia: The State of Human Rights, Cultural Center Mechelen, BE
AND Festival, Corner House, Manchester, UK
Beutezüge, Open Space Open System – Raum für Kunst, Vienna, AUS
It’s The Political Economy, Stupid, Austrian Cultural Forum New York, USA
2011
The Savage Transparence, youngprojects, Los Angeles, USA
Based in Berlin, Berlin, DE
The Anarchist Banker, Kadist Foundation SF, San Francisco, USA
Indie Lisboa 8th International Independent Film Festival, Lisbon, PT
Without Reality there is no Utopia, CAAC – Centro Andaluz de Arte, ES
LOOP, Barcelona, ES
IFFR 40th International Film Festival Rotterdam, NL
Image-Movement, Centre d’Art Contemporain Geneva, CH
2010
The Art of Camo / The Art of Comouflage, Cardi Black Box, Milan, IT
Schermo dell’Arte Film Festival, Florence, IT
Dok Leipzig, 53rd International Leipzig Festival for Documentary und Animated Film, Leipzig, DE
25FPS, International Festival for Experimental Film and Video, Zagreb, HR
LISTE Art Basel 2010, CH Kulturen des Wirtschaftens / Cultures of Economics, Kulturstiftung des Bundes in collaboration with University Munich, DE
Novel II, Limoncello, London, UK
Novel II, International Project Space, Birmingham, UK
2009
The Moving Image, Radialsystem, Berlin, DE
2006
Anonym, in the Future…, Schirn Kunsthalle, Frankfurt, DE
2004
Tuesday is Gone, Karvasla, Tbilisi, GE
2003
All that was not then, Year Project, New York, USA
2001
Market Place, Oni Gallery, Boston, USA
New White Biennial 2001, UCLA, Los Angeles, USA
Public Collections
Migros Museum für Gegenwartskunst, Zurich, CH
Filmography and performances
Frank 2003, DV, 9min., Partition (Atlantic) 2004, synchronized slideshow, 12min.; Oblivious 2005, 16mm, colour, dolby SR, 19min.; deep 2006, DV, 7min.; Der Ausflug (The Getaway) 2007, 16mm, colour, 10min.; wachbleiben (stay awake) 2007, 16mm, colour, 8min.; Wormhole 2009, synchronized slideshow, 32min.; The Anarchist Banker 2010, HD video, 29min.; The Fable of the Bees 2012, HD video, 8min.; That Which Is Seen and That Which Is Unseen, 2012 (performance); Monarchs & Men 2012, HD video, stereo, 25min; Tilikum 2013, HD video, 25min.; The Jungle Book 2013, HD video, 15 min.
Website
http://www.jphammer.de
Bibliography
2016
Jan Peter Hammer, Monograph, Mousse Publishing, October 2016
2015
Toys Redux – An Anthology on Play as Critical Action, Micros Museum for Gegenwartskunst & JRP⎮Ringier, by Esther Buss, Alexander R. Galloway, Raphael Gygax, Hans Ulrich Reck, Judith Welter
Sociogram With Killer Whale – On Jan Peter Hammer at Supportico Lopez Berlin, by Philipp Groll, Texte zur Kunst #98, June 2015
Tilikum’ at Supportico Lopez, by Alexander Scrymgeour, Artforum, April 2015
‘Tilikum’ at Supportico Lopez, by Andreas Schlegel, Flash Art, March-April 2015
2014
Störungen im Getriebe, Frieze d/e #17, by Esther Buss
2013
Am schönen Kollwitzplatz – Zeitgeist Kunst gegen Gentrifizierung: Jan Peter Hammers „Gedenktafel für die Verlierer der Wiedervereinigung“, der Freitag, by Stefan Heidenreich
2012
The Boy Scout Project, Archive Books, Artist’s book
2011
Art Faces The Economy, Kaleidoscope, by Nav Haq
2010
Conversation with Thomas Locher, Mousse Magazine
The Anarchist Banker, Frieze magazine, by Jörg Heiser
The Anarchist Banker, Art Press, by Thibaut de Ruyter
Gib ihm die Pistole!, Taz, April Lamm and Franz von Stauffenberg
2009
Light is a kind of Rhythm, Catalogue, by Alena Williams
2007
The End of Love, Catalogue, by Ariane Beyn
2001
Notes to the Frozen Sun, Catalogue, by Cletus Dalglish-Schommer
1999
Suspensionen, Catalogue, by Sebastian Egenhofer